Last Friday morning I boarded a propeller-driven puddle jumper from Boston’s Logan airport and then one complimentary glass of wine later I was in Toronto. This would be my second visit to the city and my second TCAF. After landing I felt it was already a much better experience because my new phone plan allowed for unlimited, albeit slow, data roaming services, so I was able to better navigate the city’s public transportation system by myself without feeling a constant, desperate, anxious tether to Starbucks’ free wifi.
Fresh off the plane I headed uptown to have lunch with my friend Miguel, who runs the Comics vs Games event that happens in tandem with TCAF weekend activities. I would be giving a microtalk during a session later that weekend so it was a good time to discuss expectations. Then he showed me to a bunch of nearby comic book stores and to the world-famous The Beguiling. It was an amazing shop that I wished I had more time to poke around in. There I found an incredibly out-of-print copy of The Passion of Gengoroh Tagame, which I snagged with the hopes of getting it signed by The Master himself while he was attending TCAF.
That evening I got to go to a mixer put on by Toronto’s local Japan Foundation and there I briefly met Ken Niimura. I had bought his amazing collection Henshin a couple of days prior and was loving it but wasn’t able to lug it up to Canada to get signed. Later that night my friends and I went to Momofuku, where I had the most decadent Korean fried chicken I have ever eaten, capped off by a dessert of yummy Cereal Milk ice cream with corn flakes on top.
Saturday morning and afternoon was frantic. I scurried into where the artists were selling and grabbed a couple of items, particularly a book from Leslie Hung’s table, before heading over to the Aya Kanno spotlight. She spoke of her start as a manga artist and how originally she was more interested in shounen (boy’s) manga but after a bad experience working with a particular editor she decided to go into shoujo (girl’s) instead.
Immediately after that was the Gengoroh Tagame panel. This session was absolutely amazing! They even had a member from Viz Media’s SuBLime imprint present to provide insight into Western perceptions of geikomi compared to BL/yaoi and publishing realities involved. Tagame even talked about when getting his start initially submitting his works to BL magazines like June because outlets for comics aimed at gay men didn’t exist yet. It was a super fascinating discussion that the wonderful people at Massive recorded, so I hope that becomes available online at some point.
Later I waited in line to get my copy of Requiem of the Rose King signed by Aya Kanno, then waited in a different line to get my Passion collection signed by Gengoroh Tagame. That man is so sweet and bright! He even was taking pictures with guests upon request, which is quite uncommon for manga authors.
Then I synced up with my friends Christine and Sophia to head down to the Bit Bazaar, which is sort of a game demo exhibit and crafts fair at Toronto’s Bento Miso coworking space. It ended up being a bit too hot and crowded for me to stick around too long but I got to say hi to some pals and bought a cute zine from Kelly K’s table. Then I scurried off to the Queer Mixer and saw some great micro-interviews on stage with a lot of amazing looking artists I was unfamiliar with before.
Sunday was pretty chill for the most part but I was stressed about getting my Comics vs Games talk right. You really can’t underestimate timed microtalks! We were going off the GDC model where it’s 20 slides with each one being displayed for 16 seconds before automatically proceeding. You have to practice and time your words! And of course when you’re actually doing the talk it goes all off script. Hopefully a recording will be posted soon!
And at the end of my section, which was about dating sims and development tools, I announced that in June I’ll be running a dating sim game jam! You can visit the International Love Ultimatum #iluJam Tumblr here where all the announcements and useful posts will be made.
If you ever find yourself able to make it to Toronto for TCAF I highly recommend it! It’s one of my favorite conferences I’ve attended and definitely the top comics one. Admission is totally free too so you can spend all your money a the artists’ tables instead! And Toronto is a great city.